N° 29 — June–September 2015

Diptyk #29

Photo/Fashion: I Love You, Me Neither

What if Moroccan photography really shines in fashion? Diptyk #29 dedicates its feature to “Photo/Fashion: I Love You, Me Neither,” where an entire young generation is spreading its wings. This Summer 2015 issue also explores what a biennial can still offer the world, with a focus on Venice. It features a portfolio by Namsa Leuba and profiles Pascale Marthine Tayou. It traces the evolution of street art from the streets to the Mohammed VI Museum and profiles Yazid Oulab.

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Language: French

Diptyk #29

In this issue

  • News – Photoshed: A Detour Through Casablanca; A Duchampian Inventory in Brussels; Diego Moya: Nature at Work; Zaatari: The Traces of Time
  • Exhibitions – Alexandre Eudier’s Pranks; Mohamed Larbi Rahhali, Cabinet of Curiosities; Bruce Nauman on Loop; Fquih Regragui, Fake Yet Authentic; Questioning the Feminine at the Bank Al-Maghrib Museum; Made in the South; Malik Nejmi’s Fraternal Cinema; Hassan Echair, One Must Imagine Sisyphus Happy and Lighthearted; Universal Moroccanities…
  • Portfolio – Namsa Leuba, Touching the Untouchable
  • Story – Street Art at the MMVI: From the Street to the Museum; Pascale Marthine Tayou, All the Gris-Gris in the World; London, A Subjective Approach to Photography; Yazid Oulab, Walking a Tightrope; Venice, What Can a Biennale Do in the Face of the World?; Benyounes Semtati, Illegal Structures; Photography/Fashion, I Love You, But I Don’t Love You
  • Art Market – Touria El Glaoui: “African Art Is a Great Investment”; Brussels, the City Where Collecting Is an Art Form; The Promise of Drawing; Art Brussels, the Belgian Recipe for Success; Crimes Against Culture
  • Books – Mounir Fatmi: “Censorship works like a virus”
  • The Incubator – Wiame Haddad, Those Who Remain

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