N° 35 — October–November 2016

Diptyk #35

An African Back-to-School Season

In the fall of 2016, Africa made its presence felt throughout the global contemporary art scene: Diptyk #35 celebrates an African comeback. This October–November issue covers the 1:54 Contemporary African Art Fair in London and AKAA in Paris. It also visits “Essentiel paysage” in Marrakech, an exhibition that confronts Africa with the planet’s challenges in the wake of COP22. It also features a profile of Hicham Berrada by Mouna Mekouar and a portfolio by Thania Petersen, as well as a comprehensive overview of the Marcel Duchamp Prize.

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Language: French

Diptyk #35

In this issue

  • News – Faouzi Laatiris’s “anti-retrospective”; Picasso Masterpieces in Rabat; Marie-Ann Yemsi at Art Paris Art Fair
  • Quotes – Bisi Silva: “Photographers are today’s griots”
  • The Eye Listens – Bruno Nassim Aboudrar, Kader Attia, Stitches, Sutures, and Scars
  • Exhibitions – Ikram Kabbaj, The Memory of Stones; The Other Side of the Mask at the Brooklyn Museum; Mounir Fatmi, From Exile, I Created…; Steph.Cop, A Second Life for AROs; Amina Benbouchta and Zelda Georgel, Silence Amid the Urban Clamor; What the Image Says; The Thousand and One Lives of Melehi; The Other Kacimi; Casablanca International Biennale…
  • Portfolio – Thania Petersen, Memoir of a Queen
  • Story – Landscape Essentials: Africa Facing the Planet’s Challenges; Hicham Berrada: “Everything Exists in Nature, and We Are Part of It”; Africa Takes Center Stage at the Duchamp; Chourouk Hriech, The Possibility of Drawing; Kacimi’s Catalog Raisonné: A Titanic Undertaking
  • Art Market – The Remarkable Health of Contemporary Art; Photo: A New Investment Niche?; African Contemporary Art, the Market’s New Darling
  • Books – Véronique Goudinoux: “Collaborative work highlights the challenges of our time”
  • The Incubator – Hicham Matini, Invisible Boundaries

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