N° 45 — October–November 2018

Diptyk #45

Barthélémy Toguo, a rebel by nature

Barthélémy Toguo, a “natural-born rebel,” graces the cover of Diptyk #45 to mark his first residency in Morocco. This October–November 2018 issue also features Mohammed Kacimi at the Mucem and reexamines a work by Chaïbia. He wonders whether an artistic revolution has taken place in Tunisia and meets with the director of the Casablanca Biennale. On the art market front, he covers the 1-54 London and AKAA art fairs. Features, analyses, and portfolios round out the issue.

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Language: French

Diptyk #45

In this issue

  • News – “Lend Me Your Dream,” a pan-African project; The Sharjah Biennial Unveiled; Amadou Diaw: “Africa Helps Us Reach Out to Others”
  • Opening Remarks – Mohamed Bourouissa for the Duchamp Prize?
  • The Eye Listens – Chaïbia, “What is light concerns me…”
  • Exhibitions – “The (Un)expected Exhibition,” Bachir Demnati, Mohamed El Baz reads Belkahia, Mohamed Lekleti, Najia Mehadji, “Seismography of Struggles,” Aurèle Andrews-Benmejdoub, Fatiha Zemmouri, Collectif 220…
  • Portfolio – Nicolas Henry: The World Is a Stage
  • Story – Kacimi the African at the Mucem; Barthélémy Toguo, a Rebel by Nature; Tunisia: Did the Artistic Revolution Take Place?; The HYam Prize Maps Out a New Atlas in Greece; Casablanca Biennale: Stories from the Water’s Edge
  • Art Market – Art Fairs: 1-54 London and AKAA, the Southern Route; Beirut Art Fair: In Lebanon, Collectors Are More Aesthetes; Latin American Saga: Cuba
  • The Collection – Basel Dalloul
  • Books – Explaining Art
  • The Incubator – Omayma El Guerssifi, The Dark Side

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