N° 52 — February/March 2020

Diptyk #52

1-54 Marrakech, More African Than Ever

With its second edition, 1-54 Marrakech is more African than ever, and Diptyk #52 devotes its cover to it. This February–March 2020 issue also visits the new National Museum of Photography in Rabat, meets Abdellah Karroum and the MACAAL, and revisits the mysteries of Jilali Gharbaoui. From Laila Hida to Lakin Ogunbanwo, reports, analyses, interviews and portfolios decipher the art scene in Morocco, Africa and around the world.

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Language: French

Diptyk #52

In this issue

  • Game changer – Laila Hida, a (very) free spirit
  • News – Africa express: Oumar Ly, Studio Kameni; William Kentridge, first retrospective in France
  • Exhibitions – Mustapha Azeroual, Mohamed Melehi, “Water Earth Waves”, Mo Baala, Mohssin Harraki, Moroccan printmaking at the Fondation Attijariwafa bank, Abouelouakar…
  • The Eye Listens – Bruno Nassim Aboudrar, the African photographer and his model
  • Portfolio – Lakin Ogunbanwo, the bride wore colours
  • Story – The National Museum of Photography in Rabat; Abdellah Karroum: “We no longer have time for ornament”; MACAAL, putting an end to catastrophe; Prête-moi ton rêve, towards a new African engineering?; IN-DISCIPLINE, beyond “Beauté Congo”; The mysteries of Jilali Gharbaoui
  • Art Market – 1-54 Marrakech, more African than ever; Afro-British art, an augmented art history; Marrakech, a marketplace?; Art Dubai: for a multipolar vision of modernism; The Cape Town fair bets on emerging artists
  • The Collection – Amadou Diaw
  • Books – Moving beyond ethnocentrism; Artists from Tunisia
  • The Incubator – Yassine Hmichane, Hexahedra

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