N° 57 — Autumn 2021
Art at the Bedside of a Disoriented World
What can art still do in a disoriented world? Coming out of the pandemic, Diptyk #57 observes artists who are leaving theory behind to speak the language of emotion. We see it in Aassmaa Akhannouch’s intimate portfolio and in Meriem Bennani’s obviously fake universe. This autumn 2021 issue also goes back to the origins of Arab modernity in the Near East and questions the imaginary of the Sahara. Reports, analyses, interviews and portfolios complete it, between Morocco, Africa and the world.
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