N° 57 — Autumn 2021

Diptyk #57

Art at the Bedside of a Disoriented World

What can art still do in a disoriented world? Coming out of the pandemic, Diptyk #57 observes artists who are leaving theory behind to speak the language of emotion. We see it in Aassmaa Akhannouch’s intimate portfolio and in Meriem Bennani’s obviously fake universe. This autumn 2021 issue also goes back to the origins of Arab modernity in the Near East and questions the imaginary of the Sahara. Reports, analyses, interviews and portfolios complete it, between Morocco, Africa and the world.

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Language: French

Diptyk #57

In this issue

  • Game changer – Taoufiq Izeddiou, committed choreographer
  • News – Africa’s vitality at the Fondation Vuitton; Cécile Fakhoury in Paris; Tangier reconnects with its arty past
  • Work in progress – Echoes from contemporary scenes
  • Exhibitions – “Atlantic Ragagar”, “Droit de vivre” at the Macma, “Que reste-t-il de nos amours ?”, Marion Boehm, Yassine Balbzioui, Randa Maroufi, Abderrahim Yamou, Safaa Erruas…
  • The Eye Listens – Delacroix, moments of the Moroccan phenomenon
  • Portfolio – Aassmaa Akhannouch, how to inhabit one’s history
  • Story – Meriem Bennani’s obviously fake world; When the Arab world invented its modernity: the Near East; The Sahara is not a hotel; The MMVI retraces the epic of African photography
  • Art Market – The 1-54 fair, an interview with Touria El Glaoui; Henri Seydoux’s collection; Artists in demand: Cy Gavin; Artists in demand: Omar Ba; Khadija Hamdi-Soussi’s “Arab world” selection at the Loop fair
  • Books – No longer wiping the slate clean of the past; Annie Le Brun: “The image is a double agent of capital”
  • Diptyk photo competition – Hiba Zouane, winner of “Détails sensibles”
  • The Incubator – Sabrine Lahrach embroiders her intimate memory

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