N° 61 — Autumn 2023

Diptyk #61

Fragility, the New Mantra of Contemporary Art?

Can we still create without talking about fragility? Diptyk #61 starts from this question, which became a common thread of the autumn 2022 season. We follow it from the Lyon Biennale to the off-balance bodies of Dhewadi Hadjab, on the cover. The issue also looks back at Documenta 15, the edition of discord, and at the role of 1-54 in the rise of contemporary African art. Reports, analyses, interviews and portfolios decipher the art scene in Morocco, Africa and around the world.

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Language: French

Diptyk #61

In this issue

  • Game changer – Bouchra Salih, a desert to reinvent oneself
  • News – The Rencontres photographiques de Marrakech invite Brazil; Barthélémy Toguo opens a museum in Cameroon; The MIA reopens its doors
  • Exhibitions – The Rencontres photographiques de Rabat, the banknote at the MMVI, Safaa Erruas, L’Appartement 22, Roméo Mivekannin, Le Cube, Mouhcine Rahaoui, Mo Baala, Delaye…
  • Portfolio – Saïdou Dicko, in the shadow of childhood
  • Story – A museum in tune with its territory; Dhewadi Hadjab, an art of imbalance; Documenta 15, the edition of discord; Youmein: in Tangier, the future will be collaborative; What is contemporary African art?; My portrait, my battle; In Lyon, a biennale to remember our extreme fragility
  • Art Market – How 1-54 brought contemporary African art in from the margins; Textile art weaves its web at AKAA; In Paris, waiting for the Basel effect; Contemporary African art takes root in the global market; Aboudia, the painter shaking up the market
  • Books – Photographing chaos
  • The Incubator – Adnane Zemmama, photography against oblivion

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