N° 62 — Winter 2022

Diptyk #62

Rediscovering the Vibrations of Nature

How do you imagine the future when you have long been excluded from writing the world? Diptyk #62 explores Afrofuturism, beyond the mainstream aesthetics of the Afronaut and Black Panther. On the cover, Omar Mahfoudi’s painting invites us to rediscover the vibrations of nature. This winter 2022 issue brings together reports, analyses, interviews and portfolios, from L’Appartement 22 to Lynette Yiadom-Boakye, to read contemporary art in Morocco, Africa and around the world.

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Language: French

Diptyk #62

In this issue

  • News – The Biennale of Mediterranean Art Schools
  • Exhibitions – Calligraphy between art and currency at the Bahia Palace, Khalil Nemmaoui, Hossein Tallal, M’barek Bouhchichi, Taysir Batniji…
  • Portfolio – Marwan Bassiouni, an inverted window onto Islam
  • Story – L’Appartement 22, the art of paradox; Afrofuturism, Space is the place!; Omar Mahfoudi, the unbearable lightness of painting; Yassine Balbzioui: “I am not the ambassador of exoticism”; What is contemporary African art?; Lynette Yiadom-Boakye, between written imagination and painted fiction
  • Art Market – The art market: make way for the young!; NFTs are gaining ground at fairs too; Moffat Takadiwa, beyond the aesthetics of waste; Ismail Isshaq, Ghana’s new prodigy
  • Books – Art and the Anthropocene; Brahim Alaoui retraces a life spent with the artists of the Arab world
  • The Incubator – Oumaima Abaraghe revives the history of famines in Morocco

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