N° 63 — Spring 2023

Diptyk #63

Artificial Intelligence, the New Frontier of Contemporary Art

What if an AI wrote Diptyk’s feature? The editorial team tried the experiment with ChatGPT, and it is a failure they recount. Diptyk #63 explores artificial intelligence, the new frontier of contemporary art, from Refik Anadol at MoMA to the tools tested by the team. This spring 2023 issue also visits AlUla, M’hammed Kilito and Cy Twombly’s Moroccan interlude. Reports, analyses, interviews and portfolios complete it, between Morocco, Africa and the world.

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Language: French

Diptyk #63

In this issue

  • Game changer – Yassir Yarji, cultural mediation that sets an example
  • News – Jemaa El Fna square gets its museum; The Moroccan Moderns soon at the Tate; In Sharjah, a tribute to Okwui Enwezor
  • Exhibitions – Contemporary art from Benin at the MMVI, Malhoun, “Blackness”, “Des figures”, Zanele Muholi, Le 18…
  • Work in progress – Echoes from contemporary scenes
  • The Eye Listens – Baya, art’s eternal child
  • Story – AlUla, a mirage come true; M’hammed Kilito, a documentary meditation; Hassan Bourkia, the artist with soles of wind; Artificial intelligence: the new frontier of contemporary art; Cy Twombly’s Moroccan interlude; Nathalie Bondil: “It is impossible to confine an artist to their Arabness”
  • Art Market – 2022, another record year for contemporary African art; Arco Madrid returns to success; A gentle take-off for Menart Brussels; Mouna Mekouar: “Art Dubai opens up to the Global South”; Moufouli Bello, painting calibrated for the market; M’barek Bouhchichi should break through on the secondary market
  • Books – Art against preconceived ideas; Mehdi Ben Cheïkh: “It is wrong to set what happens in the street against what hangs in museums”
  • The Making of a Gaze – Chemin des grands, by Ahmed Cherkaoui
  • The Incubator – Amine Asselman deconstructs the ornamental motif

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