N° 71 — Spring 2025

Diptyk #71

A World to Repair

Restoring a place, returning works, rewriting narratives: the theme of repair runs through Diptyk #71, from the Villa Carl Ficke given back to the people of Casablanca to the Benin Bronzes returned to Nigeria. This spring 2025 issue also asks whether a global history of art is possible, and visits the MACAAL, the Sharjah Biennial and the Islamic Arts Biennale, through reports, analyses, interviews and portfolios.

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Language: French

Diptyk #71

Au sommaire

  • News – The Villa Carl Ficke reconnects Casablanca with its history
  • Exhibitions – “Paysages mouvants”, Chaïbia and CoBrA, Kouka Ntadi, Mohammed Chrouro, Fatna Gbouri, Calligraphy, Tahar Ben Jelloun…
  • Work in progress – Echoes from contemporary scenes
  • The Eye Listens – The second life of Orientalist painting
  • Portfolio – Delphine Diallo, paradises regained
  • Story – Is a global history of art possible? Episode 1; Yassine Chouati, introspection shared; The MACAAL, more Afrocentric than ever; At Le Cube, the journey is the goal; The Sharjah Biennial, lucid and committed; The Islamic Arts Biennale, a tool of Saudi soft power
  • Art Market – In the Emirates, auctions struggle to keep pace; ARCO Madrid sets course due south; A new fair for contemporary African art; Ahmed Mater, more and more magnetic
  • Books – Photography and power; Jean-Baptiste Brenet: “Averroes is the most represented Arab in the history of Western art”
  • The Collection – Abbès Saladi, dreamlike imagination at work
  • The Incubator – Driss Ouaamar spins a thread against oblivion

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